Music I’ve Completed Recently…

February 10th, 2015

VaclavTouzimsky1968LiberecSqEditIn between teaching and PhD work I’ve managed to finish a few pieces over the past little while. These will be released properly eventually, but for now here they are on Soundcloud. All produced by me and mastered by the exceptional Dr Dave Payling:

Staffs Uni at the Wavemaker Hackspace

February 10th, 2015

WavemakerBitJam3_EditLast Friday (6th February 2015) Staffs Uni students and myself decamped the Digital Performance Applications lecture to the Mitchell Arts Centre (where I used to work with Planet Sound Community Arts) in Hanley for the Wavemaker event, organised by Bitjam.

We got to meet Ashley James Brown, an inspiring programmer/artist/educator who showed us how to create some interactive/generative/glitch art in Processing in mega-quick time. We repaid the favour by showing Ash some generative music techniques in Max MSP.


Sonorities Invitation

February 10th, 2015

SonoritiesLogoSome very exciting news…I have been invited to perform at this year’s Sonorities Festival in April. I will be performing Kafka-esque in the Sonic Lab at Queen’s University.

The festival also features performances by composers Trevor Wishart, Denis Smalley and Javier Alvarez. Other members of the Music, Technology and Innovation Research Centre at De Montfort University including Simon Atkinson, Kerry Francksen and Panos Ameildes will also be presenting their work.


Leonardo Music Journal Article

January 17th, 2015

LMJ24-cover-175I have recently had my first article published in the “Emerging Voices” issue of the Leonardo Music Journal. The abstract is as follows:

“Indeterminate techniques borrowed from experimental music can be applied to the composition and performance of popular, song-based material. The author makes the case for treating computer-based systems as collaborators in creating works that are both sensuous and cerebral.”

You can read it here if you or your institution is a subscriber.


PhD Portfolio Update

July 17th, 2014

WillowClrVisualsI’ve recently uploaded two new videos as part of my expanding body of PhD work. A key idea is that humans and machines can perform together  – and both should be represented in a way that reveals their real-time collaboration.

Willow is a piece for guitar, vocal and electronics. Almost all of the computer’s output is controlled by the guitar’s audio signal and position.

Kafka-Esque is an electronic piece driven by the performer typing on the computer keyboard.

Planet Sound Carnival 2004

July 12th, 2014

IMG_7495From 1998 until 2005 I was a director of Planet Sound Community Arts, a not-for-profit music education organisation working predominantly with young people in North Staffordshire. In 2004 we managed to secure a decent amount of money to put on a show stopping carnival parade through Newcastle-under-Lyme.

I recently unearthed the documentary film about the project and really enjoyed reliving it all again. It really was a fantastic collaborative show of vibrancy and positivity. You can watch the film here.


Staffs Uni Student Work

July 11th, 2014

Studio4inUse2Since 2005 I have worked as a lecturer is Staffordshire University’s Music Technology department. I went full time in 2011. I now teach a range of subjects including Digital Audio Workstation production, Digital Performance and Sound Design. I thought it was about time we started uploading some of the best student work.

Live performance and sound design work can be found on our new YouTube channel whilst a selection of recordings from 2nd and 3rd year modules can be heard on our MixCloud station.


Mixcloud Mixes

February 25th, 2014

decks - daniel bernardinelli, flickr.comI’ve just done some mixes of some of my favourite material that I’ve been listening to over the last couple of years. One is a fairly straightforward dance mix and features the remixed “Footprints” from my “Baby I’m Your Boy” album. The other is a little bit more woooooaaah and features fractured beats, noise, electroacoustic, post-dubstep and classical tunes.

They are named “Trans//missions” after the endless compilation tapes and then CDs I used to make – along with original artwork – back in the day when I had a little more free time and a big supply of magazines to cut up. Now it’s a quick search through Creative Commons pictures on Flickr. Photograph on the left courtesy of Daniel Bernadinelli.


January 10th, 2014


A new version of a piece I have been working on as part of my PhD studies. I am exploring how, as a  singer-songwriter, I can collaborate with computers in the composition and performance. For this piece, I decided to get a little extreme and rather sing a lyric, I thought I could type it.

The action of typing a Franz Kafka quote controls rhythm, melody, sample playback and video, which in turn also influences the sounds of the synths. The quote resonates with the piece – the keyboard allows us to both withdraw and connect with the outside world. Watch on Youtube or Vimeo. Thanks to Toby Tomlins (video footage) and Darren Washington (photography).

New Material

October 10th, 2013


I’ve been working on some material. One is a song called “Willow”. It is a simple guitar and vocal, but the guitar is treated via a Max/MSP system that reads the signal of the guitar, and maps various synth and effects parameters to pitch and amplitude. Using a Wiimote, it is also sensitive to the position the guitar is held.

The most recent piece is called “KafkaEsqueTest”. It is performed by typing a quote from Franz Kafka. The Max/MSP/Jitter system recognises particular words and vowel combinations, and creates sounds and image in response. Thanks so much to Sam Tarakajian and his Delicious Max Tutorial series. I didn’t recognise him at first but he was also at Code Control!

New approaches to songwriting

July 19th, 2013

washmachI’m currently exploring new ways to write songs – both lyrics and music. The main theme is embracing the post-structuralist ethos of relinquishing control. In terms of music, I have been experimenting with using field recordings as source material, with some exciting results. I’ve also been working on some tools in Max/MSP (see earlier posts). Lyrically, I’ve been looking at Dadaist poets such as Tristan Tzara and Modernists like Gertrude Stein, and theorists such as Roland Barthes. After all, who says songs have to mean anything? At Glastonbury in 2003, Michael Stipe introduced “Losing My Religion” with the proclamation: “this is your song, we just cover it”. Then, for the first time in a while – I wrote some lyrics. It felt awesome!


PhD update

July 19th, 2013

Interactive Generative Arpeggiator I am currently undertaking PhD research at DeMontfort University under the supervision of the extraordinary Dr.s John Richards and Bret Battey. My research focuses on realtime interactive music systems for song-based material. Now that summer is here and the marking is done, I’m getting stuck in to some experimentation and creation. I’ve just finished the first version of an interactive generative arpeggiator. Please note: it makes use of a kin.rhythmicator subpatch which will also need to be downloaded.



Performance at Code Control

March 6th, 2013

On 24th March I will be performing my Rows and Columns piece for Launchpad at the Code Control festival in Leicester.

The festival also features talks, workshops and performances by other artists using Max/MSP, including my PhD supervisor Bret Battey.

I am hoping to learn some new skills, particularly in using Arduino to generate visuals.



IC Tomorrow Finals

December 12th, 2012

Last Thursday I gave a pitch with Carl Plant and Ben McManus from Bitjam at the IC Tomorrow finals for the Digital Innovation: Music contest in London. IC Tomorrow is a government initiative that helps companies develop and market innovative ideas that make use of technology.

Although we didn’t win,  we learned a lot, made some great connections and hope to continue with our idea. We then thought we’d spend a bit of time hanging out at the BBC (left) before driving back to Stoke listening to Deftones, Hawkwind and Def Leppard.


Performance at DMU

December 11th, 2012

On the 7th November I gave a performance as part of DeMontfort University’s MTI concert series. The interactive-generative piece for Launchpad is my first finished piece for my PhD work and is performed using custom software created in Max/MSP and Processing. Hardware used includes a Novation Launchpad and two Korg Nanokontrols.

The performer instigates and controls the level of note events represented by red squares moving across the grid. Control events are represented by green squares moving vertically. Pressing the pads causes them to turn yellow. Collisions between all these create further musical events. The overall aim is to create something beautiful that contains a satisfying blend of order and chaos. Video here.

New releases in the cloud

October 11th, 2012


I have just uploaded a couple of pieces to break the deafening radio silence. The first is a remix of “Break in the Clouds” by Reading band Last Picture Show. I’ve taken an out and out rocker, slowed it down, stripped it back and turned it into quirky, chilled electro-pop. You can hear the result here.

A little while back, I received a few invites to join Mixcloud. So I did. I don’t really DJ or make podcasts, so I thought I’d run the whole of the debut National Trevor album together into one piece. You can find the result here.

Geeklab Presentation

July 12th, 2012


Processing gridI will be presenting some of my current PhD research at the Geeklab event, hosted by Bitjam at the Burslem School of Art this Saturday, 14th July. You can attend in person or listen/watch live on between 12 and 4pm. This follows on and relates from some recent videos I’ve done and an appearance on Cre8 radio.

I’m currently researching the live performance of electronic music. There was a recent article on Create Digital Music about how many musicians “cheat” by pressing the play button. As a live performer and recording artist, I’m interested in how pressing the play button can be made more interesting, and looking at how human performers and audiences can relate to machines.

I’m working with Max/MSP/Jitter to generate timing, recording and FX; Processing for the visuals and Ableton Live to host samples and software instruments. I’m also learning SuperCollider.

Mobile Phone Ensemble

April 17th, 2012

I have recently begun a mobile phone performance group with students at Staffordshire University. The group is affiliated to the Staffordshire University Sonic Arts Network, and meets on a weekly basis to create live electronic music in a fun, relaxed and collaborative atmosphere. We aren’t yet using any custom-built instruments (check out Atau Tanaka and Adam Parkinson who create their own performance software in PD and run it on iPhones in RJDJ) – we are just using some standard apps that run on iPhones and Android, such as Bebop, Filtatron, Reactable and Nanoloop.

You can have a listen to our first piece on Soundcloud here. The piece will be performed at the upcoming Noisefloor Festival in May. The picture to the left is the graphical score for the piece.

Captain Yange EP

March 21st, 2012

Work is proceeding on a final EP of Captain Yange material. These are four songs that were featuring in our set following the release of “Compos Mentis” and our support slot with Fightstar at the Proud Gallery. Paul recorded the drum parts at Staffs Uni in September 2009. Very little then happened with them while Scott wrote songs for Robbie Williams and Si did a solo album and a Master’s degree.

Last year, we had started to look at these recordings again. Paul had edited and approved his performances. Scott and Si (with additional input from former band member Jon Wilkinson) will be completing the songs. We hope they will remain true to the spirit in which we played them.

The benefits of bus travel

January 17th, 2012


I’ve decided to get rid of my car and travel to Staffs on the marvellous X1 express. Rather than the stresses of the M6, I chilled out with a beautiful view of the Staffs countryside and an excellent podcast: Musicians Cooler. Dave Jackson is an excellent host, and talks about issues like optimising your video tags, the benefits of StumbleUpon  and tracking your Twitter followers’ activity with a free application from

Highly recommended!


Nomination for Best Local Act

December 3rd, 2011


I have been nominated for a “best local act” in the forthcoming 6 Towns Radio awards.

Rather than being at the mercy of a panel of music industry experts, it’s up to you lot. You can vote here.

Gig at Fat Cat’s, Hanley

October 26th, 2011


I will be playing my first National Trevor gig in what seems like ages on Sunday November 6th, at Fat Cat’s in Hanley. 7.30pm start.Tickets are £4 and can be bought online or at Music Mania in Hanley.

I will be supporting Pet and Symphonic Pictures.

I will be showcasing my new geeky setup incorporating guitar and vocals with an array of MIDI controllers, an iPhone and a Wiimote. I will be projecting some visuals at the same time that give you a bit of a clue what’s going on. I am also hoping to have film-makers and collaborators Junction 15 present so that I can put some more videos on Youtube and Vimeo.

Some rough videos

September 5th, 2011

I’ve added two new videos demonstrating how I’m going to perform live. Each Time I See Your Face features an air guitar and Baby I’m Your Boy features the live recording and manipulation of a real one.

Any feedback via email or Facebook would be gratefully received.


August 5th, 2011

Khoros is an exciting new tool for music technology developed by my good friend and colleague Paul Rogerson. I hope to be able to use one in National Trevor performances in the future, and for community workshops. Check it out an spread the word. Here is a link to see the instrument in action with special needs groups on Vimeo.

National Trevor at Stoke Sounds Festival!

July 20th, 2011

It is with great pleasure that I can reveal I will be performing at this year’s Stoke Sounds Festival on Saturday 30th July. I will be on the Intermission tent from 4.45-5.15pm. I have been working hard in preparation, building bespoke software that lets me do live sampling, pitch shifting and mixing. I’ve also built an air guitar out of an iPhone and a Wiimote!

I should also be doing some stuff with the Bitjam boys on the Bitjam stage, apparently in a Hawaiian shirt!

To find out more about the festival, please visit the Facebook page.

6 Towns Radio and Free Download

June 29th, 2011

Here is a link to the interview I did with Lisa Wilding/Leeka at 6 towns radio on the Kulture Klubshow a little while back:

I have also been on the Stoke Sounds show on a Monday night. I offered a free download of baby I’m Your Boy from Bandcamp! Check it out here!

Baby I’m Your Boy Review

June 14th, 2011

Stoke SoundsThose kind folks at Stoke Sounds have written a review of “Baby I’m Your Boy”. You can check it out at It’s put me in a really good mood so I’ve made some tracks available for free download at In case you’re wondering what I’ve been up to, then I can reveal I’ve been working on how to perform the album live. I’ll tell you more about it soon once I’ve got the software working a bit better.



Baby Boy is Born

March 20th, 2011

I have just become a father to a beautiful baby boy.

Jude is 10 days old and an absolute dream. I feel reborn! Can’t wait to get him in the studio.

His first lullaby was “Everything in its right place” by Radiohead. Appropriate, and not too many lyrics to remember. 5/4 counting starts from day 1!



Each Time I See Your Video

March 8th, 2011

I’ve made a video from the photoshoot with Darren Washington and some by Lee Ball. It seems to be an expectation now that music benefits from a visual counterpart, and I think that this can really add to the listening experience. Watching my fellow musicians who work across a number of genres, it seems to be a natural progression to work with imagery. This is especially true when you can collaborate with gifted photographers like Darren and Lee: I was amazed how a succession of stills can be just as powerful as video.

Check it out here.

Damage World Premiere

February 27th, 2011

Monday 28th February, 7.30pm Potteries Museum and Art Gallery

Please come and support Junction 15 at the World premiere of their film about domestic violence. I have composed the score and recorded the soundtrack, with assistance from students at Staffordshire University.

Hope to see you there!

Review of “Baby I’m Your Boy” by Louise Mayer

February 25th, 2011

From the rhythmic textures of Footprints urging you to dance to the gently waterfalling Take What You Need, this is a superb offering from National Trevor. The melding of organic acoustic instruments and electronic layers forms a mesmerising backdrop for Si Waite’s heartfelt vocals on Still Life and The Hand of History. This is definitely a whole album to be savoured by the fire or on the beach and just melt into the atmosphere……..wonderful!

by Louise Mayer

National Trevor on 6 Towns Radio

February 14th, 2011

I’m very excited to be appearing on 6 Towns Radio this Wednesday afternoon from 2pm, with the wonderful Lisa Wilding. I’m going to be talking about Baby I’m Your Boy and maybe playing some live acoustic stuff in the studio. Better get practising…

What I did this week

February 11th, 2011


Saturday: Photographed a photographer at work, the awesome Darren Washington. Sunday: Recorded the sound for a short film on location (Damage). Monday: Released an album and made a psychadelic video of my pregnant partner with some amazing friends. Tuesday: Told somebody what I need from them. Wednesday: Received and made a heartfelt apology. Thursday: Listened to a revolution on the radio. Friday: Felt fulfilled in my work. I’m lucky to do what I do.


Baby I’m Your Boy released

February 7th, 2011

Over the past 2 and a half years I’ve written some tunes and built a studio to record them in. They’re finally finished and available for your listening pleasure. I’m very proud of them. I hope you can get some enjoyment from them and that you will share your experience of them with me. Sometimes it’s a lonely process trying to pour your soul into a microphone and some genuine human feedback is marvelous.

If you buy the record too – well then that’s a massive bonus. Not only does it give me a bit of much needed income, it gives me encouragement to carry on. It’s available from the usual places – iTunes, Amazon etc. I’ll be doing a physical release at some point. Thank you to everybody that supports me in my endeavours. Words cannot express what you mean to me. Well, mine can’t anyway.

The new album is imminent…

November 28th, 2010

At long last I have completed the debut “National Trevor” album!

In preparation for the release, I have done a photoshoot with Darren Washington, created some artwork for the cover with Kerrie Williamson and learned some basic website-building skills.

The album “Baby i’m Your Boy” will be available to buy in early 2011. You can listen to it now by clicking here.

In 2011 I will be doing some live shows incorporating live electronics and video.